It doesn’t take long for the viewer to suspect that Jacek is going to commit a murder, and he soon chooses the hapless taxi driver as his victim. By so doing, the filmmakers raise the narrative to an abstract level - it is as if all three principal characters were involved in some meta-level dialogue with each other (and with the unseen witness). The film isolates them from each other and from their environment by concentrating on closeups of the individuals throughout much of the film. The separation of the characters, their alienation, is reflected in the distinctive cinematography, which has few establishing shots. He throws rocks through car windshields on the freeway, scares away birds from bird-feeders, and roughs up weaker individuals when noone else is looking.
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